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Before Shark Week and ‘Jaws,’ World War II Spawned America’s Shark Obsession

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‘Shark Sense’ sought to prepare troops for encounters with the marine predators.

Navy Archives

Similarly, the Navy’s 1944 pamphlet titled “Shark Sense” advised wounded servicemen stranded at sea to “staunch the flow of blood as soon as you disengage the parachute” to thwart hungry sharks. The pamphlet helpfully noted that hitting an aggressive shark on the nose might stop an attack, as would grabbing a ride on the pectoral fin: “Hold tight and hang on as long as you can without drowning yourself.”

The Department of the Navy also worked with the Office of Strategic Services, the wartime precursor to the Central Intelligence Agency, to develop a shark repellent.

Office of Strategic Services executive assistant and future chef Julia Child worked on the project, which tested various recipes of clove oil, horse urine, nicotine, rotting shark muscle and asparagus in hopes of preventing shark attacks. The project culminated in 1945, when the Navy introduced “Shark Chaser,” a pink pill of copper acetate that produced a black inky dye when released in the water – the idea being that it would obscure a serviceman from sharks.

Nonetheless, the U.S. military’s morale-boosting campaign was unable to vanquish the glaring reality of wartime carnage at sea. Military media correctly observed that sharks rarely attack healthy swimmers. Indeed, malaria and other infectious diseases took a far greater toll on U.S. servicemen than sharks.

But the same publications also acknowledged that an injured person was vulnerable in the water. With the frequent bombing of airplanes and ships during World War II, thousands of injured and dying servicemen bobbed helplessly in the ocean.

One of the worst wartime disasters at sea occurred on July 30, 1945, when pelagic sharks swarmed the site of the shipwrecked USS Indianapolis. The heavy cruiser, which had just successfully delivered the components of the Hiroshima atomic bomb to Tinian Island in a top-secret mission, was torpedoed by a Japanese submarine. Out of a crew of 1,196 men, 300 died immediately in the blast, and the rest landed in the water. As they struggled to stay afloat, men watched in terror as sharks feasted on their dead and wounded shipmates.

Only 316 men survived the five days in the open ocean.

‘Jaws’ has an eager audience

World War II veterans possessed searing lifelong memories of sharks – either from direct experience or from the shark stories of others. This made them an especially receptive audience for Peter Benchley’s taut shark-centered thriller “Jaws,” which he published in 1974.

Don Plotz, a Navy sailor, immediately wrote to Benchley: “I couldn’t put it down until I had finished it. For I have rather a personal interest in sharks.”

In vivid detail, Plotz recounted his experiences on a search and rescue mission in the Bahamas, where a hurricane had sunk the USS Warrington on Sept. 13, 1944. Of the original crew of 321, only 73 survived.

“We picked up two survivors who had been in the water twenty-four hours, and fighting off sharks,” Plotz wrote. “Then we spent all day picking up the carcasses of those we could find, identifying them and burying. Sometime only rib cages … an arm or leg or a hip. Sharks were all around the ship.”

Benchley’s novel paid little attention to World War II, but the war anchored one of the movie’s most memorable moments. In the haunting, penultimate scene, one of the shark hunters, Quint, quietly reveals that he is a survivor of the USS Indianapolis disaster.

“Sometimes the sharks look right into your eyes,” he says. “You know the thing about a shark, he’s got lifeless eyes, black eyes, like a doll’s eyes. He comes at you, he doesn’t seem to be living until he bites you.”

The power of Quint’s soliloquy drew upon the collective memory of the most massive wartime mobilization in American history. The oceanic reach of World War II placed greater numbers of people into contact with sharks under the dire circumstances of war. Veterans bore intimate witness to the inevitable violence of battle, compounded by the trauma of seeing sharks circle and feed opportunistically on their dead and dying comrades.

Their horrifying experiences played a pivotal role in creating an enduring cultural figure: the shark as a mindless, spectral terror that can strike at any moment, a haunting artifact of World War II that primed Americans for the era of “Jaws” and “Shark Week.”

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Janet M. Davis, University Distinguished Teaching Professor of American Studies, The University of Texas at Austin College of Liberal Arts

This article is republished from The Conversation under a Creative Commons license. Read the original article.